Unusual Places: Leshan Giant Buddha

The Leshan Giant Buddha in Sichuan was carved out of a mountainside in the 8th century. At 233 feet high, it is one of the largest images of the Buddha in the world and it is by far the tallest pre-modern statue in the world.

Construction was started in 713, led by a Chinese monk named Haitong. He hoped that the Buddha would calm the turbulent waters that plagued the shipping vessels traveling down the river. When funding for the project was threatened, he is said to have gouged out his own eyes to show his piety and sincerity. After his death, however, the construction was stuck due to insufficient funding. About 70 years later, a jiedushi decided to sponsor the project and the construction was completed by Haitong's disciples in 803.

The first Buddhist temple in China was built here in Sichuan Province in the 1st century A.D. in the beautiful surroundings of the summit Mount Emei. The addition of other temples turned the site into one of Buddhism's holiest sites. Over the centuries, the cultural treasures grew in number. The most remarkable is the Giant Buddha of Leshan, carved out of a hillside in the 8th century and looking down on the confluence of three rivers. At 71 m high, it is the largest Buddha in the world. Mount Emei is also notable for its exceptionally diverse vegetation, ranging from subtropical to subalpine pine forests. Some of the trees there are more than 1,000 years old.

Mount Emei is an area of striking scenic beauty. It is also of great spiritual and cultural importance because of its role in the introduction of Buddhism into China. The conscious siting of so many of the cultural monuments, particularly of traditional architecture, within the natural environment makes it a cultural landscape of very high order.

 On Mount Emei, there are over 30 temples, ten of them large and very old; they are in local traditional style and most are built on hillsides, taking advantage of the terrain. In the selection of the site, design, and construction they are masterpieces of great originality and ingenuity. The advanced architectural and building techniques are the quintessence of Chinese temple architecture.

Visitors stare in awe at the Buddha from the tourist ferries and from a terrace next to his ear. On one side of the terrace is a modern statue of the monk Haitong, and behind is the Lingyun Temple Museum with exhibits on the construction and renovations of Dafo.

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